Wednesday, May 02, 2007

Fort Worth Male Student Allowed To Attend School As Female

(CBS 11 News) FORT WORTH Make-up, high heels and tight blue jeans may not be unusual for high school, but what if it's a teenage boy who is wearing that to class?

Rodney Evans said he has always considered himself a woman, but didn't start dressing like one until his freshman year.

The 15-year-old says he wears women's clothes to school often, but not usually an entire outfit.

On April 26, Evans wore heels, fake breasts and a wig to class at Eastern Hills High School in Fort Worth.

School officials said the clothing was distracting, and they placed Evans in detention. That's when, officials say, Evans began shouting obscenities.

It is for that action that school officials say they decided to suspend Evans.

Evans says the school's treatment and the resulting suspension was unfair. He also claims administrators have frequently given him a hard time for coming to school in a skirt.

"There are those students who have their own opinions, and I respect that," said Evans. "However, I surround myself with friends who accept me as Rochelle."

On Wednesday, he made a move to fight the district's decision. Evans hired Phyllis Randolph Frye, a transgender attorney and advocate for transgender rights, to represent his case.

A statement from FWISD Senior Communications Officer Barbara Griffith indicates that the district, "requires that any suspended student attend a conference with his parent before readmission. Rodney would have been allowed to return to school today (Wednesday), but his parent chose to delay that return until we could meet with her lawyer."

FWISD administrators and attorneys met to discuss Evens', and other transgender students', rights.

Evans said he wants "to be able to attend school in a safe environment, as I am."

In an official release, the attorney's office said the meeting would "review and change current school policy regarding proper attire for transgender students, as well as policies regarding restrooms� and protection from harassment."

"We find it disheartening that anyone would use this situation -- or any of our students in any way -- for their own personal or professional agendas," said Griffith. "Our primary focus remains the safety, welfare and academic success of all of our students."

After the meeting, Evans' attorney announced Rodney can attend school as Rochelle. He will use the bathroom in the nurse's office.

College . . . one of the best times to transition.

Transgender students seek understanding on campus

By Amanda Cohen, The Dartmouth Staff
Published on Wednesday, May 2, 2007

Tiger Rahman ‘09 and Kris Gebhard ‘09 are both transitioning from female to male. Rahman explained his new outward identity to one of his classes via e-mail, asking peers to use male pronouns to refer to him.

Tiger Rahman ‘09 and Kris Gebhard ‘09 are both transitioning from female to male. Rahman explained his new outward identity to one of his classes via e-mail, asking peers to use male pronouns to refer to him.


Sasha Bright ‘09 keeps her head bowed, eyes on her shoes as she hands off her Dartmouth ID card. She avoids the DDS cashier’s eyes, which shift from the card to Bright and back again. Bright’s long, straight hair does not match the cropped cut in the photo. The T-shirt fitted over her feminine torso is a far cry from the baggy shirt featured on the card. The student standing in the dining hall, whose apparent anxiety masks her courage, does not match the masculine name printed to the right of the photograph.

The worker, noting opposing presentations, laughs. Bright didn’t “pass.”

“He gave me my ID. He laughed, and said have a nice night. I was so hurt. I just wanted to, if I could, put that guy in my life for one day,” Bright said.

Bright, like a handful of other students at Dartmouth, identifies as transgender, a term used to describe a person whose internal gender identification differs from his or her biological sex. According to Bright, who is still biologically male, there is a tremendous amount of pressure to conform and present as a single identifiable gender congruous with sex.

“People try to ascertain, especially when I dress androgynously, what I am, because people have to know. It’s like a psychological thing,” Bright said. “They’re like ‘woah,’ like I dropped out of Mars. The looks are amazing.”

The inability of others to understand or accept the identity a transgender student presents — which Bright calls being “read” — triggers anxiety and dejection, she said. Bright said that looks and perceived judgment prevent her from socializing normally, and she often opts to spend time in the safety of her room.

“I’ll even not go to the dining halls and [be] starving all day because I don’t like to deal with other people giving me these looks, the degradation. Just because I wasn’t born with another X [chromosome], they treat me awfully,” Bright said. “I would not wish this on my worst enemy.”

Kris Gebhard ‘09, who is transitioning from female to male, said that references to him as female reinforce his struggle and remind him that he cannot yet pass as a male. Gebhard said he understands that it may just take time for those who knew him as female to get used to his new identity, so he does not outwardly express his discomfort with such references.

“Internally it’s annoying. I’m always very, very sensitive to pronouns and also to when people call me Kristina,” he said. “It’s just a constant reminder of how people in general perceive me or interact with me.”

Gebhard said that he does not mind androgynous references, but prefers masculine associations.

“There’s a lot of empowerment that comes with using masculine pronouns. That’s a reminder in the other direction — it really allows me to more fully embrace my gender identity,” he said. “There’s a lot more freedom in that, freedom to express myself in a way that I’ve been, in some ways, repressing for a long time. So it can really be small and simple, but it all adds up.”

Tiger Rahman ‘09, who began transitioning from female to male last September, explained his new outward identity to his screen-writing class this spring in an e-mail.

“Yes, my gender presentation/identity may be kind of ambiguous, annoying, confusing or just irrelevant. However you see it, I prefer the usage of male pronouns/honorifics in reference to myself,” Rahman wrote in the e-mail.

Film professor Bill Phillips did not reply to Rahman’s e-mail until an interview with the Dartmouth a few weeks later made him aware of his continued use of feminine pronouns in reference to Rahman despite Rahman’s request.

“It’s really irritating because it seems [like I should be] stopping in the middle of class and being like, ‘Dude, did you not read the e-mail I sent?” Rahman said.

After the interview, Phillips apologized to Rahman over e-mail.

“I realized that I probably had not ingested the content of your e-mail enough. I certainly meant no slight,” Phillips wrote. “I totally support whatever choices you make, and although that is not a high priority in my screenwriting class, I never want to do anything that will make you (or anyone) feel uncomfortable. So if I slip up in the future, it’s just habit … but I’ll try.”

Rahman said that since then, Phillips has not “slipped up” again.

According to Pam Misener, the adviser to gay, lesbian, bisexual and transgender students, increased awareness of gender identity can come through education of the campus community.

“I think understanding trans-experiences is, like a lot of other things, skill- and practice-based,” Misener said. “The more skill you have around it and the more practice you get applying those skills, the easier it is to understand that as a life experience.”

Misener said that the learned skills include vocabulary around gender identity, which can be practiced and incorporated into everyday vocabulary.

In an effort to educate the community about transgender issues, Rahman sent an e-mail through the Dartmouth Rainbow Alliance BlitzMail account about “trans-etiquette,” explaining ways to learn about gender identity.

“We realize we shouldn’t expect everyone to be on the same page about trans-etiquette if there’s been no real message about what that means. We thought we’d throw out a couple of guidelines that we should all be aware of when dealing with anyone really, but can be especially injurious to trans-folk in earliest stages of transitioning,” Rahman wrote.

Rahman said that students shouldn’t be afraid to ask someone which gender he or she identifies as, but to shy away from the question “are you male or female?” This question, he wrote, “tends to come off as kind of objectifying.”

“Just phrase questions gently and be aware of the fact that even though the problem is very personal, it’s something that has to be dealt with on a public level,” Rahman wrote. “Silence doesn’t help anyone.”

A changed man . . .



Lucas Silveira of The Cliks

Lucas Silveira of the Cliks says the band's new CD, "Snakehouse," out Tuesday, reflects a new direction. (Rahav Segev for the Boston Globe)

After a shift in gender identity, Cliks' Silveira finds new freedom in rock 'n' roll

AUSTIN, Texas -- Halfway through his band's set at Momo's here last month, Lucas Silveira had an asthma attack. He was struggling for air, which is a major impediment to rocking, and not rocking would have defeated the purpose of bringing his band, the Cliks, all the way from Toronto to Texas for the South by Southwest music festival. Happily, an alert festival volunteer located an inhaler and ran it up onto the stage. A few puffs later Silveira was back at the mike, wild-eyed, full-throated, and even more intense than before he nearly stopped breathing.

Adversity builds character. It's been the source of not a few killer tunes. In Silveira's case, adversity has been nothing short of transformational. The day before the Momo's gig he was splayed on a couch in a hotel lounge, analyzing the confluence of events that has led to this fine musical moment. Some of his experiences, like a great love affair and painful split, are familiar to anyone with a beating heart. Others may not be familiar at all, like living your whole life feeling unsure if you're a boy or a girl.

"What spurred the songwriting for this new album was a big breakup," says Silveira, who brings the Cliks to T.T. the Bear's Place next Thursday. "But beyond the fact of coming out of a relationship I felt very settled in, I had become completely aware of the fact that I'm transgendered. A lot of the music came out of that confusion, and going to a place that was not so nice, but coming out the other side, being able to climb out of a hole and do what I had to do."

The songs on "Snakehouse," which comes out next Tuesday, brim with urgency and fortitude. Rhythms are primal, riffs are sinuous, and Silveira sounds invincible. "Oh yeah oh yeah I've fallen down/But I can get up," he sings on "Oh Yeah," and you can actually hear him swagger. He wrote the song two years ago, right about the time Lillia Silveira changed her name to Lucas. It was more forceful and more passionate than anything he'd done in the past. Looking back, Silveira realizes that as his gender identity shifted, so did his musical identity.

"People can see through anything," Silveira says. "I think when you hide, whether it's purposely or subconsciously, people can see that. I came to a very real place in myself and I think that being in touch with who I was made me create some of the best music I've created."

Rosie Lopez, head of A&R for Tommy Boy Entertainment, first heard the Cliks in 2004. She liked the band, but didn't fall in love. Two years later Cyndi Lauper's manager sent her the track "Oh Yeah."

"I was like, 'My God. It sounds like a whole different band. ' "

Lopez signed the Cliks in January, and she concedes that the fact that Silveira is transgendered is both a compelling back story and a significant marketing challenge. The band's audience up to now has been largely gay, lesbian, bisexual, and transgendered, and in June the Cliks will join Lauper, Debbie Harry, Erasure, and the Dresden Dolls on the True Colors tour, designed to raise awareness of issues facing those communities. But both the band and the label are dedicated to broadening the Cliks' fanbase.

"I'm learning what it's like to work with someone who doesn't fit into a box, and realizing how much people need boxes," says Lopez. "The best thing we can do is put it out there and let people decide on their own. So far we're getting as much attention from the rock press as we are from the gay press. But this isn't going to be easy. They're going to encounter some resistance. At the same time something magical is going on, and it has everything to do with Lucas being centered and comfortable."

Silveira blurs the line between male and female. Gay men, straight women, and lesbians flirt with him at shows. The band's MySpace friends include punky kids, middle-aged New York Dolls fans, and Joan Jett. Silveira's had what's known as top surgery but has no plans to further alter his anatomy. His energy onstage transcends stereotypical notions of gender, but then rock music has always been a safe haven for outsiders.

"I remember seeing the cover of 'Ziggy Stardust' and going 'I know that's a boy but he looks kind of like a girl,' and Chrissie Hynde wearing jeans and playing guitar, and somebody like Debbie Harry who had this very feminine yet masculine vibe to her," says Silveira. "All these things that confused me, they made me feel really thrilled. I always took my cues from music. Nina, my guitarist, was just saying 'Rock 'n' roll is your freedom card. You can be whoever you want to be.' "

Silveira is clear-eyed. He knows that right now his story is as much a selling point as his music. More important, his story and his music are inextricably bound.

"The songs are an extension of what you become as a person," he says. "But it's interesting, because I find that the stronger I get as a songwriter the stronger I become as a person. I feel so liberated when I'm onstage now. I think there's something really sexy about feeling comfortable in your own skin."

After Working the Streets, Bunk Beds and a Mass

The multiple risks for TG youth working the streets . . . story in "The New York Times."