Wednesday, November 21, 2007

Born a man, he became a woman, then a man again — what's next?

11/19/2007

Antonio Banderas Shares His Gender Bending Dream



Antonio Banderas

11/19/2007


Antonio Banderas wants to be a woman for a day in an effort to understand the opposite sex. The movie hunk, who is married to actress Melanie Griffith, revealed he would love to wake up as a woman during a press conference to promote his new film The Code In Bulgaria.

But he told reporters he wouldn't want to step into his wife's shoes.

When asked which woman he'd like to be for 24 hours he said, "Maybe Mimi Leder (his new film The Code's director)," before adding, "just to understand what she is going through."

Who wears the pants?

By Ryan Haecker

11/20/2007


Dresses epitomize womanhood in the Western world. Such has been the case since the western man adopted pants to replace the tunic in the sixth century (an aspect of the West's Germanic barbarian heritage). Dresses allow us to differentiate between the silhouettes of men and women on restroom signs. Dresses are the indelible image of womanhood because of the symbolic nature of pants and dresses. If all fashions are symbolic, dresses in particular symbolize womanhood by more fully embodying the ideal of a true lady, the objective understanding of what men find attractive in the fairer sex: passivity, domesticity, childrearing, coital love, piety and fertility. These defining aspects of womanhood are immutable. We all tacitly reaffirm these attributes in our attempts to find a partner. Flirtation and courtship are reaffirmations of what it means to be masculine and feminine because it is only by fulfilling the obligation of our form that we can attract the opposite sex.

You might say these things were once true but times have changed. Not so. The nature of sexual attractiveness in women is objective, immutable and incontrovertible because it is directly related to the constant and unchanging physiology of men and women. What men find attractive in women is fixed because the physiology of humanity has been relatively unchanged. In this way, the ideal form of femininity is also unchangeable and without regard for cultural context or time period. What men find attractive in women - the form of a true lady - is objectively identifiable, just as it was in the time of Nebuchadnezzar. In short, femininity is sexy, and sexy is timeless and universal.

What's not sexy is feminism (not to be confused with femininity), which is directly responsible for the disappearance of our beloved dresses and the adoption of pants by the "new woman." Like all fashions, pants are symbolic of something - in this case masculinity - through their allowance of physical activity. Dresses, the antithesis of pants, symbolize femininity through grace and elegance. Men find elegance in women to be attractive, and dresses are a physical manifestation of femininity. The wearing of pants by women represents the masculinization of the fairer sex, which is not at all attractive.

In advocating the wearing of dresses, I must distinguish between the flowing elegant dresses of tradition and the more degenerate and immodest dresses of our present culture. The miniskirt, a dress of sorts that doesn't extend below the knees, is both lacking in modesty and elegance. Elegance is essential to femininity, and the lack thereof implies a sort of masculinization. Modesty is essential to feminine virtue, and the lack thereof implies a state of whorification. Immodest, inelegant dresses constitute a degeneration and androgynization of true dresses.

The androgynous masculinization of the modern woman, through the donning of pants, suits, uncovered shoulders and unveiled hair, has in a sense led to the slow whorification of ladyhood. In discarding feminine dress, women seem to have symbolically discarded femininity and modesty (the virtues of women) in favor of sexual virility, promiscuity and immodesty (the vices of men). The ideal form of a true lady is a constant, immutable aspect of humanity, and this strange new development can only represent a bizarre aberration of a perverse and ignoble culture. Dresses are an essential part of any true lady's attire, and they should be worn.

Sharing a life's pain



Susan Stanton, front, and Rick Davis listen to Faith Rivera sing during a transgender day remembrance at Unity Church of Clearwater

By EILEEN SCHULTE

November 20, 2007


It's been exactly eight months and 23 days since Steve Stanton was fired from his job as Largo's city manager.

He was escorted out of City Hall by some of the same officers he hired during his 17 years on the job.

That hurt, Stanton told a group at a transgender remembrance day service at Unity Church of Clearwater on Monday.

Now known as Susan Stanton, she counts each day since the dismissal, when the greatest test of her will and strength began.

During that time, she has been searching to find employment.

She applied for a job in Berkeley, Calif., but the fit wasn't right.

In despair, she drove to the Golden Gate Bridge, where many people choose to end their pain.

She stood there in a "deep, dark hole." She said she felt she had no future.

"You can feel the environment," she said, "and that you want to jump into the hands of God."

But she didn't. And on Monday night, she spoke to an audience of some 150 people about her struggle to transform herself from a man to a woman.

Earlier in the day, Stanton was struggling with what to wear. She knew she wanted to wear black, but all her black dresses were too dressy for the occasion. So she wore a smart black pantsuit with patent leather heels. She wore a delicate gold anklet and a dainty gold chain around her neck.

Through the strands of highlighted hair you could see her sparkling gold and diamond earrings.

Her blond hair was stylish and curled at the ends. Her pedicure was perfect, complete with burgundy polish. Her fingernails gleamed as though she had just left the manicurist.

Slender and soft-spoken, she appeared as feminine as most women in the audience who had come to hear her speak.

"It's not like I'm going to walk around looking like Aunt Bea," she told the Times earlier in the day. "I'm not out mowing the lawn in a dress. Sometimes I put on a T-shirt and shorts."

She is living in Sarasota, takes female hormones and has joined a health club.

There is one downside to taking the hormones, she said with a laugh. "Without the hormones I could bench-press 90 to 120 pounds," she said. "With the hormones, I can bench 20 pounds."

Stanton is scheduled to have her first mammogram today. In May, she will travel to Phoenix for sex reassignment surgery.

Although the experience Stanton has endured is painful, she said it has brought her closer to her family, especially her son, one of her biggest supporters.

The Rev. Abhi Janamanchi, who helped organize the event, was pleased with how it turned out.

"Susan's sharing was very poignant," he said. "I was delighted that she conveyed a sense of hope and a sense of joy about who she is and that she is living her life with integrity." . . .

Phototherapy sheds light on gender stereotypes

by Sarah Dugan

20 November 2007


For many, photographs typically chronicle happy moments in life.

But junior Ryan Jones has been using pictures to evoke sensitive and emotional memories in some UNC students.

He gave a presentation on "Gender Phototherapy" to an audience of about 20 students Monday as part of Transgender Awareness Week.

"We were looking for interesting programs for Transgender Awareness Week," said Catherine Adamson, co-chairwoman of the Gay, Lesbian, Bisexual, Transgender-Straight Alliance. "I've heard of phototherapy, but Ryan's project is the first to deal with gender."

Jones got the idea for his presentation after he read an article on phototherapy in his English class.

The goal of the presentation was to investigate gender as a learned social construction and to see if phototherapy is an effective therapy method.

"Ryan's presentation makes visible something people don't really talk about but that many scholars are writing about," said Terri Phoenix, the director of the Lesbian Gay Bisexual Transgender Queer Center on campus. Phoenix helped Jones turn his original project into a presentation.

Phototherapy is a technique used to help individuals reflect on past experiences that might have impacted the way they define gender roles.

A therapist has the patient act out a role from a past situation while other participants act out the supporting roles. The therapist then photographs the scenes for the patient to review and reflect upon.

To complete his phototherapy project, Jones had 10 UNC students re-enact situations in which they were taught gender as children. He then asked them questions regarding gender and their reactions to the photos he took.

"Instead of focusing on gender stereotypes, I want people to remember that people are more human than male or female," Jones said.

The scenarios included one in which a male student re-enacted a time when he tried on his grandmothers' high heels and lipstick and was chastised by his father and grandfather. . . .