Monday, November 26, 2007

Boys must be boys – for all our sakes

November 18, 2007

Our uptight, risk-averse world is denying boys the outlets they need to grow up into civilised, successful adults, writes Sue Palmer

Ryan was eight when he tried to kill himself. He saved up his Ritalin tablets until there seemed to be enough for an overdose, then knocked them back and waited to die. Later, after he had been very sick, his mum asked why he had done it. “Because I’m too naughty,” he said. “I’m just a nuisance to everyone.”

Ryan is constantly in trouble at school and at home. He has been diagnosed with ADHD (attention deficit hyperactivity disorder), a “developmental disorder” involving problems with concentration and self-control. ADHD did not exist as a medical condition until 40 years ago but is now thought to affect about 5% of the population. The vast majority of sufferers are male.

Last year I published a book called Toxic Childhood, looking for reasons behind recorded increases in children’s behavioural and learning difficulties over the past 20 or so years. I concluded that rapid social and cultural change – junk food, poor sleeping patterns, a screen-based lifestyle, marketing pressures, family upheavals – were interfering with healthy development.

It was clear from my research that behavioural and learning difficulties hit boys hardest. Educationally, for instance, many now fall at the first fence and never recover: boys are three times as likely as girls to need extra help with reading at primary school, and by the time they reach GCSE they trail behind in almost every subject on the curriculum. Indeed, less than a century after women’s emancipation, female students significantly outnumber male ones at British universities.

Behavioural disorders such as ADHD are about four times more likely to affect boys and so are the emotional, behavioural and mental health problems that, according to the British Medical Association, now beset 10-20% of our children and teenagers. As these sorts of problems in teenage boys all too often lead to school failure, disaffection and antisocial behaviour, there are powerful reasons for trying to solve them.

So I’m now researching another book to find out why the modern world seems particularly toxic for boys. It’s already clear that the sort of behaviour we require from our offspring in an uptight, urban, risk-averse and increasingly bureaucratic society comes far less naturally to infant males than to their sisters.

Take the “naughtiness” that is wrecking life for Ryan and those around him. There have always been naughty boys, but in the past the activities of scamps, scrumpers and scallywags were usually shrugged off as high spirits. Fictional rascals, like Huck Finn and William Brown, clearly viewed themselves as heroes, not suicidal victims.

The big difference between Ryan’s miserable existence and that of youngsters in the past is that, until the end of the 20th century, much of boys’ boisterous behaviour went unnoticed and unrestrained by adults. There was time, space and freedom for lads to run off steam. Even when shades of the prison house did close around the growing boy, the time at the edges of the school or working day was still his own and the local woods and hills were his natural habitat.

This is not simply a case of “blue-remembered hills” – the tendency of adults to romanticise childhood. There have, of course, been periods in the past when children were mercilessly exploited and probably had little time or energy to play, but most historical accounts of boyhood, even recent urban ones, involve a degree of freedom to roam that seems unthinkable today. . . .

A Cover Girl Who’s Simply Himself

From left, Lenox Fontaine for The New York TImes; Neil Rasmus/Patrick McMullan; Bryan Bedder/Getty Images

AROUND THE TOWN From far left: Andre J. attending a party in his honor at Runway; posing with Malik Sterling, a regular on the Manhattan social scene, at an event for Patrick McMullan’s book “Glamour Girls” in September; at a party in April.


by Guy Trebay

25 November 2007


WHAT follows is, in brief (well, not so brief), the curious tale of how a handsome black man who can also look an awful lot like a beautiful black woman, except with better legs than most and a beard, happened to end up on the November cover of French Vogue.

David X. Prutting/Patrick McMullan

THAT SMILE, THAT HAIR
Think of Andre J. as rolling out his own stage every day.

The time was summer 2007. The man, who goes by the name Andre J., and who was born Andre Johnson 28 years ago in Newark, and who is a sometime party promoter and former perfume salesclerk at Lord & Taylor and former publicist at Patricia Field’s boutique and current downtown personage (an “It” person, as he was termed in Paper magazine), was running out of his apartment on Thompson Street in the Village for lunch.

It was a hot day. On this particular scorcher, Andre J. had chosen to stay cool in a neon green caftan and gold gladiator sandals. His hair, which, pulled taut, measures 24 inches in length and which he usually wears in a bouffant nimbus that gives him the appearance, as a magazine stylist recently remarked, of “a big Afro-daisy,” was dressed that day in a 1970s Wet & Wild style and covered in a enormous white turban à la Nina Simone.

This was not an unusual grab-a-sandwich ensemble, as Andre J. is quick to point out. “That’s me every day, honey,” Andre J. said on Friday, right before a party at a club called Runway to honor his election to the elite cover girl sorority, Gallic chapter.

“Most people are conditioned to think of a black man looking a certain way,” Andre J. went on. “They only think of the ethnic man in XXX jeans and Timberlands, and here Andre J. comes along with a pair of hot shorts and a caftan or maybe flip-flops or cowboy boots or a high, high heel.”

And so, Andre J. was running out for a sandwich and who should he bump into but Joe McKenna, the stylist who is the secret weapon behind the success of many, many very celebrated designers? Mr. McKenna was on the phone at the time. The person on the other end was Bruce Weber, the celebrated photographer of, among other things, dreamily homoerotic calendar art for Abercrombie & Fitch.

When Mr. McKenna spotted Andre J., he immediately put Mr. Weber on hold. Mr. McKenna then called out to Andre J., whom he had met before and had once suggested for a V magazine pictorial photographed by Vinoodh Matadin and Inez van Lamsweerde.

“Andre,” said Mr. McKenna, “you look amazing!”

ACTUALLY, he did not say it in quite that way. It happens that the adjective “amazing,” pronounced with a bunch of superfluous vowels, is how fashion types, and also certain urban gay men and also one or two tuned-in heterosexual copycats, lately express their approval. Amazing has replaced such locutions as “genius” and “major,” which today sound even more old-hat than “fabulous.” . . .

Becoming a man

Nick Mwaluko

November 20, 2007

I grew up in a rural Tanzanian village with no electricity. We couldn't go to school unless we fetched water from the river, milked cows, let them graze for the day. Our chores reminded us that we were disciplined but poor so school was a privilege. School took place in the late afternoon, children of all ages sat under a tree into the early evening learning lessons that had little if any relevance to our daily lives. My father could not afford the mandatory uniform so every year I went to school for three weeks in the semester until the teacher dismissed me.

I didn't care; well, I did but I didn't let it show. I hated poverty; I hated its limitations. Stupid me because all around were golden fields of wild savannah, the sun set against the plains.

In those days, I knew I wanted to live as a man so I walked with my shoulders hunched so my chest was hidden deep into my back. My father scolded me, thinking I was ashamed because we were so poor. He told me to take pride in what little we had so that future blessings would shower our lives in the next life, if not this one.

I was never ashamed of him, ever. I loved him deeply. He was all I cared about but there was no room to say such things to your father. Respect meant little or no eye contact; speak only when spoken to; measure your words carefully with pointed, brief answers. One side-glance from my father ensured all pretense was lost: I straightened my back, held my head high, chest forward, hoping some day he might respect me, too, maybe even love me as a man in much the same way I loved him for being one.

Then the voice of God came to me, reassuring me that I'm already a man. But by nine my chest betrayed me and, more importantly, betrayed (my) God. By 13, my whole body was in revolution. Blood came between my legs once a month; little hills spurted into huge mountains on my chest. I couldn't afford a razor so I shaved my chin with dry leaves. Still, very little hair grew and the hair that did was faint, wispy compared to the mane on my father's handsome face. My sisters -- over six feet tall and less than one hundred pounds -- were all arms and long legs with little or no hips. I looked more like my brother: short, stubby, limbs stunted by family standards with no sign of future growth besides a slight bump from a permanent potbelly. Worse: boys walked barefoot until twenty-five to make sure their sisters wore sandals, "Jesus slippers" we called them in my language because they opened at the mouth. The slippers were an aphrodisiac to showcase the streamlined beauty of a woman's feet; they made me wear them.

Enough was enough. Rather than go to the edge of the village to consult with the witchdoctor -- a spiritual mediator between this world and the next -- I broke with tradition, going directly to my mother's grave for answers. I figured my body was going crazy because she was jealous that I looked nothing like her. My large chest, high-pitched voice, smooth delicate skin was her violent attempt to embarrass me into womanhood. So I waited. Nothing: stillness at her grave. So I asked my other ancestors. What did they do? Send a torrential downpour of such magnitude that I thought about wearing a dress for months. . . .

Neigbour made life a drag



June Jones



Jean Cowan

22/11/2007


A DRAG queen has told how he suffered months of abuse from a `neighbour from hell'.

June Jones repeatedly swore and shouted homophobic abuse at Martin Prescott after learning he was gay and worked as a professional female impersonator. Mr Prescott, 40, who works under the name Miss Martell, could not take any more after five months of verbal abuse and vandalism.

He complained to the council and police in Wigan, who took action against his next-door neighbour. Jones, 56, of Higher Ince, admitted `pursuing a course of conduct amounting to the harassment' of Mr Prescott between June 4 and October 3. She appeared before Wigan magistrates.

Mr Prescott urged other people suffering homophobic abuse or anti-social behaviour not to feel that they have to suffer in silence.

He said: "She is THE neighbour from hell. I have lived here for five years and the abuse started the day I moved in. She asked me if I was married and I told her I was gay.

"She immediately started shouting abuse at me and it has gone on ever since."

Lucy Ashton, prosecuting, said Jones had verbally abused Mr Prescott and made homophobic remarks to him on numerous occasions. She swore at him in the street.

The most recent incident occurred on October 2 when Mr Prescott was at home.

Abuse

He heard Jones shouting and swearing in the street outside and decided to go out in his car. But she jumped in front of the vehicle, preventing him from driving away and hurled abuse at him.

Mr Prescott called police. Jones was arrested after each incident, but each time she was interviewed by police she claimed she could not remember what she had said or done because she had been drunk.

Mr Prescott had described how he had put up with similar abuse for years but the situation got worse in recent months.

The court heard Jones had a previous conviction for making hoax 999 calls last year and had also received a conditional discharge for wasting police time.

Miss Ashton asked the court to impose a restraining order preventing her from further harassing Mr Prescott.

Mr Craig Parkinson, defending, said Jones had difficulties looking after herself and this was exacerbated by her drinking. She had been intoxicated when she committed each offence.

Sentencing was adjourned until December 6 - and Jones was remanded on conditional bail.

Mr Prescott, who has been a professional female impersonator at clubs for 20 years, said: "I ignored her at first, but she has been relentless." . . .

What it means. . .

Queen Emily

21 November 2007


I was reading Bint Alshamsa's blog, and she said recently that “The truth is, I can't know exactly what being transgendered means unless I make more of an effort to seek out and listen to the voices of transgendered people. Otherwise, I'm just doing the same thing as those who deem it appropriate to speak on behalf of people like me without ever taking into consideration what I have to say about my experiences.."

Now normally I find it frustrating to asked what it means to be transgendered, but this wasn’t really directed at anyone, and was framed in a different way, one predicated on reciprocity. Often cis people demand an answer, but since that very question is steeped in privilege, don’t really hear your answer anyway. All of which is to say that I choose to answer the implicit ethical call in bint's post, and to in turn listen to her tell her stories on her blog.

So, to state the obvious, there’s no one meaning to being transgendered. I imagine my experiences will be rather different to, say, Lisa’s, Nix’s, Little Light’s, Nexy’s (some of those minor things like age, nationality, sexual history, sexual identity, gender). So here’s part of what it means for me to be transgendered. Now I don’t identify as transsexual. I think it’s bound up certain kinds of essentialist thinking that don’t really work for me, and I’m not so invested in notions of authenticity or naturalness. A lot of the time I fumble around for words to try to explain, because “trapped in the wrong body” is an easily understood narrative, but it just doesn’t work for me. I think Julia Serano’s notion of “gender dissonance” is much better, that idea that my subconscious gender and the one I was born with don’t match up. So I could explain by saying that I’m a genderqueer trans woman, but that’s just a way of saying that there’s something that doesn’t fit with me, a sense of tension with regard to masculinity.

But I’m not under the illusion that wearing dresses or whatever equals being a woman (I think that assumption underlies a lot of rad-fem transphobia.. oh those poor MtFs, they actually think that's what being a woman is about). Let’s just think of femaleness as having a greater range of possibilities for gendered expression that work for me. I do consider myself female, or sometimes becoming-female, but I’m not sure I can ultimately grasp any gender as being properly real (I’m not sure if that makes any sense to anyone else besides me). Femme is as solid an identity for me as I’m going to get right now, maybe that will change after a couple years of transition.

So being transgendered means for me, I think, to be radically disconnected in a number of ways. If there’s always a thread of gender non-normativity or dysphoria, when I look back at my earlier life as a boy it seems strangely disconnected from the present. I am very early in my transition physically, but have been out for a number of years. And gender is cut across interestingly with sexuality with me—I have identified variously as a heterosexual boy (if a rubbish one), a bisexual boy, a mostly male-desiring queer boy, a queer third gender, and finally a queer girl who predominantly desires women. All of that has had an important impact on how I—and even more so, other people—see myself and my gender presentation. A lot of people seemed to think that I am transitioning so that I could be a straight woman, as though it were a natural extension of my queer sexuality (heterosexist logic, that). When yeah, I don’t like straight blokes AT ALL.

Then there’s the bodily disconnection. I don’t like talking about it much cos it’s such a trans cliché, but sometimes the sheer maleness of the body I was born with makes me sick to my stomach. Most of the time it’s not so bad, it just feels wrong. I don’t hate my body, I just want it to be different. But yeah, every so often. Not so blasé.

And yeah, obviously the social disconnection. Your relationships with family and friends get more fraught. I have been lucky enough that my family hasn’t disowned me, and some extended family have been supportive, but it’s… tense… with my parents. And it’s amazing that some liberal (feminist, queer) friends who were quite fine with my being not-male suddenly got weird about me transitioning. Clearly being genderqueer equated to “unorthodox queer man” in their heads.

Then there’s the day-to-day minefield of social interaction. Ignoring the whole shitty general public for this post (I’m sick of talking about what bastards random strangers are to me), there’s a disconnection with people you know. When people who’ve known forever call me by my male name or by male pronouns, I don’t like it. I don’t make a big deal about it, because I know how hard it is to change that instinctive naming and gendering people do in their heads, but it’s not fun. And some people, even people who think they’re being supportive, just don’t even try, and that hurts.

And the thing is, with all this talk of disconnection, I think transitioning for me is about connection. It’s not some humanist project of becoming a whole person or whatever (is anyone? Is that even possible?), but it is about making some of the bits fit together better.

Ok that’s enough for now, I might write some more on this topic some other time.

Eunuch creating AIDS awareness within her community

Shalini

Nov 26, 2007


New Delhi:
According to the latest UN figures, nearly 2.5 million men and women in India are HIV+. But these figures have overlooked transgender people.

"When I walk on the road, I don't want to be seen just as a eunuch. But I want an identity of my own," says Muskaan.

A 24-year-old transgender and a graduate in Economics, Muskaan like many others of her samaj always leads a life in isolation.

"We can't live everywhere because the society doesn't let us. What can we do? And we even if we are literate, we don’t get jobs," she says.

But the last few months have been different. Muskaan has been roped in to work with Naaz foundation to create awareness about HIV and AIDS in her community.

"In my community not everybody is aware. So through this project I am trying to spread awareness so that nobody gets affected," says she.

Today, 2.5 million Indians are reported to be affected with HIV or AIDS, but experts feel that the numbers that go unreported are far more.

"There is no count as such that so many number of transgender people are effected and so many from other communities but its prevalent everywhere so they are at risk,” says Project Manager, Naaz, Sumit Dutta.

Muskaan is now training to make a film to promote the use of condoms. While the project is going to last another month or two, she hopes to achieve much more.

"What I really want to do is try and bridge the gap. I'd ask people to talk to us frankly and we'll talk frankly too. We are not bad people. Please don't force us. We want to co exist in the society. So please help us," says Muskaan.

With people like Muskaan coming forward to bridge the gap and create awareness, there's no reason why we shouldn't do the same. And if you find it difficult to fight the apprehensions, just ask yourself does the virus know how to differentiate when it strikes? The answer would be not really. . . .

Sunday, November 25, 2007

Beautiful girl with a beard

Trans Columnist Celebrates 100th Anniversary


Jacob Anderson-Minshall


11/22/2007


By Chrys Hudson

When author Jacob Anderson-Minshall wrote his first TransNation column for the San Francisco Bay Times he had no idea how popular it would become. Now, as he releases his 100th column, the weekly, syndicated article appears in LGBT publications from San Francisco to New Yorkand on GayWired Media's portals Gaywired.com, 247Gay.com and LesbiaNation.com.

"It's been an amazing two years," says Anderson-Minshall. "I've interviewed some of the most renown trans people in the world-from actors like Candis Cayne (from ABC's Sexy Dirty Money) and Calperina Addams, to authors Kate Bornstein and Jamison Green, musicians like The Cliks, Katastrophe and Joshua Klipp, porn star Buck Angel, former Las Vegas showgirl Jahnna Steele, and literally dozens of other activists, politicians, artists, scholars, athletes, filmmakers and folks from every walk of life. I feel incredibly honored to have spoken with these remarkable individuals."

Kim Corsaro, the publisher and editor of the San Francisco Bay Times, says that TransNation has been "an important voice in the paper," and has sparked numerous letters to the editor. GayWired's L.A. Vess concurs, "We've gotten great feedback on the column."

Unlike most columns, which tend to be personal essays or opinion pieces, Anderson-Minshallwho transitioned from female to male less than a year before TransNation debutedhas positioned the weekly column as a space to profile remarkable individuals from the trans community. In doing so, he says, "I try to let my subjects speak for themselves-even when that means setting my personal opinions aside."

Anderson-Minshall formatted TransNation this way so he could increase coverage of the trans and genderqueer communities and illustrate the great diversity of gender expressions that are often lumped under a transgender umbrella.

"There's a significant population of people who were assigned one sex at birth, and now live as a different sex, but do not identify as transgender or transsexual,” he says. “They are men and women. Period. Because they often don't feel like they are a part of the LGBT community, their voices frequently go unheard in queer press. TransNation is a forum willing to share these perspectives."

For his 100th column, Anderson-Minshall profiles activist Donna Rose, a former Human Rights Committee board of directors' member who left her post in protest of the organization's unpopular position on the stripped-down Employment Non Discrimination Act (ENDA).

"The debate over ENDA and the unparalleled support of transgender rights, from over 300 LGBT organizations, that has come out of it, make this the biggest trans story of 2007," Anderson-Minshall contends. "That makes it fitting as the topic for my 100th column. By my 200th, I hope I'll be celebrating the passage of a gender-inclusive ENDA."

Anderson-Minshall co-authored Blind Leap, the second installment in the Blind Eye mystery series he writes with his wife of almost 18 years, Diane Anderson-Minshall, the executive editor at Curve magazine, with whom he also co-founded Girlfriends magazine. . . .

Miss Gay Missouri America has a long and glorious history

by Colin Murphy

08-08-2007

Photo by Colin Murphy
Miss Gay Missouri 1995, Vicki Valentino

The art of female impersonation has been around for centuries — from the days of Shakespeare when male actors would “Dress Regularly As Girl” or don DRAG to the myriad reviews, show bars and Las Vegas headliners. Indeed the art form and its entertainers are here to stay.

This year marks 35 years of excellence for the Miss Gay Missouri America (MGM) Pageant, which was held July 27-29 in St. Louis. The annual event celebrates the art of female impersonation and is part of the America Pageantry System and a preliminary to the Miss Gay America Pageant which will be held later this fall in Memphis, Tenn.

“This being the second oldest pageant in the America system has a lot of history,” said Joie DiMercurio (a.k.a. Tumara Mahorning, MGM 1992), owner and co-promoter of the pageant. “What this contest is all about is the fact it helps you to meet people from all over the state and to make new contacts for bookings in other communities. The fact that Miss Gay Missouri has turned 35 proves that the art of female impersonation is a part of all our communities. We are the gay entertainment and lend to the existence of our communities.”

The MGM Pageant got its unofficial start at the Mandrake Ball on Halloween night 1973. (The Mandrake Society was an early gay rights organization in St. Louis and would host various events to raise money.) During the evening’s festivities “Julie Tomorrow” was crowned “Miss Mandrake” but would soon officially become known as Miss Gay Missouri 1974 after Ron Davis (a.k.a. Lana Kuntz) was able to acquire a sanctioned state franchise from the fledgling Miss Gay America Pageant System founded by Norman Jones (a.k.a. Norma Kristie.) Although that first competition consisted only of a talent number and walk-on gown category, the die had been cast and the rich legacy of MGM America was born.

“The Miss Gay Missouri pageant was the highest honor any female impersonator in the state of Missouri could attain,” explained Vincent Tucker (Vicki Valentino, MGM 1995), who recently won a national title — Miss International 2007. “Winning it was the one time you could say I have achieved an honor that only few entertainers will ever get to experience. The appreciation for female impersonation in St. Louis is like no other. For 35 years The Miss Gay Missouri pageant remains highly anticipated by many in and around St. Louis and the entire state of Missouri.”

Unlike other contest systems such as Miss Continental and Miss US of A, the America system and its preliminaries demand that all contestants be men in every sense of the word. Hence, no surgical or hormonal augmentation is allowed below the neck.


Tumara Mahorning

“I believe it is a celebration of art, creation, and illusion,” said DiMercurio. “How you can take a song; mold it and create talent from it is amazing.”

In 1975 Ron Davis sold the fledgling pageant to his brother, Don (a.k.a. Donna Drag and the River Queens from the Red Bull), who would continue the annual event for the next five years. The pageant remained mainly a local event throughout the 1970s, but the talent being discovered was worthy of national acclaim.

In 1979 Donna Drag sold the promising franchise to a comedy trio known as “Sex, Inc.”—Chuck Attebury (a.k.a. Raquel Welsh), Dean Dingler (a.k.a. Ursula Andress) and Michael Lavin (a.k.a. Elke Sommer) were big, bawdy and brazen “queens” whose comedic performances were packing bars around town. But the trio’s talents were twofold as they soon became the driving forces behind MGM and would, over the next eight years, turn the pageant into one of the best known and better attended preliminaries in the nation. Two Miss Missouri’s crowned under their ownership, Vicki Vincent (MGM 1983) and Charity Case (MGM 1987), went on to become Miss Gay Americas.

When “Sex, Inc.” decided to hand over the reigns of the then nationally known pageant to a successor they couldn’t think of anyone better equipped to run the dynasty then the winners of the title itself. Thus, the “Miss Gay Missouri Alumni Committee” was formed and “the sisterhood” would run the pageant.

“One of my personal reasons for wanting to win was that many of the finest entertainers had already captured the title and I wanted to experience the same,” offered Tucker. “Fallen greats still inspire my interest in what Miss Gay Missouri has meant in the past and competitors of my era, who are now formers, make returning to Miss Gay Missouri each year reunion of winners who had the same goal in mind — becoming a part of the legacy of female impersonation in the State of Missouri.”

Since MGM is a preliminary to Miss Gay America, the responsibilities of the state title-holder mirror those of the national representative. In addition to public appearances and competing at Miss Gay America, the winner must administrate over and attend all preliminaries in the MGM system.

Following MGMs silver anniversary Attebury and Daniel Flier (a.k.a. Vanessa Vincent, MGM 1982) briefly assumed ownership where leadership and interest were raised throughout the state and corporate sponsors, such as Miller Lite were brought on board.

In 2001 the franchise was handed to DiMercurio and Reba Lamkey-Knabe who continue to run the pageant honoring the fine traditions and rich history of those who came before while making the franchise more efficient and its representatives more competitive at the national level.

Victoria DePaula, this year’s reigning Miss Gay Missouri 2006 placed third alternate and won overall preliminary talent at last years national pageant.

An elegant affair

Nineteen of 24 qualified contestants from around the state showed up to compete for the coveted crown and two tickets to the national stage. They joined 12 former title holders as well as the current reigning MGM 2006 DePaula and Miss Gay America 2007, Luscious to mark the 35 Miss Gay Missouri America Pageant. . . .

Opinion: Nothing to be thankful for

Are trans people welcome at the table with the rest of our siblings in the movement?


Thursday, November 22, 2007



IT’S THANKSGIVING TIME, and I want to be charitable. I’d like to talk about our sometimes divergent GLBT community, sitting down at the table with each other and passing our metaphorical stuffing and yams.

Unfortunately, I find myself feeling something very different from this Norman Rockwell fantasy of community unity.

When the Employment Non-Discrimination Act came up for a vote in the House of Representatives, we got to see just who is and who isn’t among our allies. I was not surprised to see Rep. Barney Frank (D-Mass.) leading the charge to deny rights to transgender people, using the same tired strategy that has plagued transgender people since the early 1970s: “We’ll get ours, and come back for yours.” It didn’t work then, it won’t work now.

I’m also not very surprised that when push came to shove, most GLBT organizations stood by the transgender community, while the Human Right Campaign backed the non-inclusive bill. This has been their stance since I got into transgender activism in the early 1990s, and even though they have claimed to have made some personal progress, they’re still more willing to take this over victory for all.

Yet again, I find myself hoping people remember this the next time HRC sends a cute little fundraising letter claiming to be working for all GLBT Americans.

One thing that did raise an eyebrow for me was a poll done shortly before a trans-less ENDA went to a vote. The result — one that may well be questionable overall — was that 70 percent of the GLBT folks surveyed were perfectly fine with this turn of events.

With one quarter of “GLBT” being transgender, does this mean that 25 percent, coupled with 5 percent of gay, lesbian, and bisexual people, were the ones who were willing to take a more courageous stance, and push for equal rights for all over a bill aimed at a narrower group? If this poll is at all accurate, this seems to leave a large number of people more than willing to leave transgender people out to dry.

SO THIS THANKSGIVING I find myself wondering: Is this my family, my community, welcome at the table with the rest of my siblings or am I the red-headed stepchild of this movement? And if that’s the case, then why am I here?

I suspect there remains a lot of mistrust of trans people and a lot of misconceptions. Maybe it is assumed that we’re not worthy of a place at the table, that our credentials are too thin, or that our goals and needs are too far removed from those of the larger community. Perhaps it’s some sort of latent trans-phobia after years of the mass media foisting transgender characters on the public and calling them “gay.”

THE ISSUE WE need to think about now that a trans-less ENDA has passed the House of Representatives is this: Where do transgender people fit within this community, what do we bring to this movement, and, really, if we aren’t as welcome here as this betrayal shows, then where are we welcome?

None of these are easy questions, and each is that much harder when one considers that we do have our allies in the GLBT community. Other, wiser organizations were willing to stay by our side and focus on the needs of a unified community. Others have also kept a combined front in fights elsewhere, like hate crime bills and other needs. It’s not so simple as “they all hate us, so let’s take our ball and go home.”

But more and more, it seems like a large number would prefer just that.

So what comes next? Do we keep fighting this fight for inclusion — not only within the laws of our country but also within the GLBT community as a whole — or do we seek to blaze our own trail? Is there anything for us here, or are we truly viewed as being simply “partners of convenience,” ready to be sacrificed at the mere hint of trouble?

I hope that somewhere in all this we’ll find a glimmer of hope and we’ll yet see a unified community that welcomes all its members, no matter if they are lesbian, bisexual, gay or transgender.

Yet right now, it looks as if the transgender community is cast aside, left to swim for ourselves while some sail ahead with their own agendas. I want to be charitable — but really, how can I? . . .

Pollo Del Mar Grabs the Trannyshack Crown


MC Sister Roma, winner Pollo del Mar, and hostess Heklina at the Trannyshack Pageant; above right: Jim Strano, Anna Conda and Juanita Fajita staged a Drag Riot outside the Gift Center. Fajita’s altercation with security officers was the only mishap.



By Sister Dana Van Iquity


November 22, 2007


Trannyshack, now in its 12th award-winning year, is San Francisco’s longest-running weekly drag and performance hotspot. Held on Nov. 17 at The Gift Center, the annual Miss Trannyshack Pageant drew hundreds of tranny-loving fans to see who would take the coveted crown. Heklina, draped in gold and in a platinum wig higher and wider than ever before, reminded everyone of “the bad old days of Trannyshack,” and joined Faux Queen Trixie Carr in an original song about Trannyshack, sung live to the music of “Love Shack” by the B-52’s: “Paint your face like a slut, and stick your dick up your butt,” said the lyrics, and concluded: “Bang bang bang on the men’s room door – blow … job … busted!” Following that, Assemblyman Mark Leno presented a certificate of recognition to the stepping down Miss T-shack, Raya Light. A very blonde Juanita More and her chorus boys and girls did a fabulous tribute to Aretha with “Respect.”

Raya gave her final performance as reigning Miss ‘shack, with a video above showing her as the perfect housewife, dusting furniture and snorting coke. She came out in person as the Vita-meata-vega-men girl from I Love Lucy, spooning the liquor-infused potion down her gullet. Suddenly there was a militaristic theme as Queen’s “We Will Rock You” played while warriors, Vikings, terrorists, and Nazis tried to attack her; but she beat them off (no, not THAT beating off) with a giant lollipop. They tore her clothes off and made her stand naked as the day she was born.

The Pageant featured a celebrity performance by superstar comic, actress & singer Miss Sandra Bernhard, who also judged the contestants along with James St. James, klub kid legend and author of Party Monster; Energy 92FM gay deejays Fernando & Greg; Midnight Mass’ Peaches Christ; and Miss Trannyshack 2004 Anna Conda. Brent Smith and the hot, hot, Hot House porn studs entertained, enlivened, and engorged the festivities. The judges were announced and escorted to their seats by Miss Precious Moments playing a dyke security guard. Bernhard tore up the house in her sexy black lingerie doing a whole standup routine about the difference between drag queens and bio girls – mainly in the arms and legs. “How fabulous to be a drag queen,” she said, “with no yeast infections and never getting menopause.” She snapped, “I love the acoustics in here; it’s like speaking through an empty paper towel tube.” She was dead-on right about that. It was extremely hard to hear in that giant echo chamber. Bernhard spoke about her “mother titties,” and how she did everything she could to push them up and out. “Now that I have a child, I expect everyone to nurture me, coddle me, and kiss my ass. I’m a mother, dammit!” She concluded, lauding “the faggots, dykes, and gays: “Thank God for all of you. Gay rights are human rights. You gotta turn this world around and tear this shit up!” She praised San Francisco as the City of love, and broke into the “If You’re Going to San Francisco, Be Sure to Wear Some Flowers in Your Hair” song. The house roared. . . .

Lost/Found Scrutinizes Masculinity


Sean Dorsey


By Sister Dana Van Iquity

The world premiere of Lost/Found came to Dance Mission Theater last weekend, and those who experienced it will never be quite the same.

Author/trans-dancer Sean Dorsey fuses modern dance, storytelling, and theater – meticulously examining and poking with a stick that mysterious enigma called masculinity. To quote Dorsey: a gender-bent look at masculinity’s newcomers, trespassers, runaways, and misfits spilling tales of best friends, diary secrets, teen idols, gender disobedience, bullying, loss, and faith.” As far as I know, Dorsey is the nation’s first transgender modern dance choreographer. He creates vigorous, compelling dances that force the audience to observe transgender “pubescence,” as it were. It is like looking through a microscope to focus on the effects of love, belonging, and place in a patriarchal society on those living on the margins of masculinity.

The show is performed by a stellar cast of dancers: Dorsey, Brian Fisher, James Graham, and Adam Venker, with guest artist writer/performers Kirk Read and Max Wolf Valerio. The concert is the featured culmination of the month-long Tranny Fest co-presented by Fresh Meat Productions and Tranny Fest.

While modern dance sometimes has a reputation of being cryptic and inaccessible, Dorsey’s goal is to make dances that people can actually understand and relate to. All of which is accomplished through a riveting narrative voiceover throughout.

“Bullied” deals with bullies and buddies. Regarding the former, in the narrator’s words: “people who don’t hold the proverbial door wide open for us, but rather slam it in our face.” Dorsey’s “Every-trans-man” grows up in junior high and high school at the mercy of mean-spirited jocks and mindless metal-heads. This is brilliantly illustrated through dance, as “E-t-m” covers his eyes, goes limp, and stoically endures the football player’s rough tackling and the pushing and pulling all around the floor by the tough guy. But at least this is a form of attention. Is that a negative? Which is worse? Being touched against your will or being untouchable? An outcast. The diametric opposite is a nancy-boy pansy homo queer-boy who Dorsey’s character latches onto – misery loves company - choreographed to perfection by the duo’s precise synchronicity of movements.

Next up is Valerio’s first-hand insight to the perils of “Binding” from his moving memoir, The Testosterone Files. He recalls with bittersweet humor both the humiliation and exhilaration of a newly pre-op trans man stealthily purchasing his first improvised binding device (to flatten those bad ol’ bouncing boobies). He desperately and not very successfully tries to fabricate a believable story of his “bad back” needing a posture belt (which he will use much higher up on the body to smash his breasts down) at Eva’s Corset Emporium.

Kirk Read (author of How I Learned to Snap) tells us most of his friends are taking testosterone – trans men, gay men in their ‘50s experiencing male menopause, body builders banging the juice, and guys who can’t grow their beards completely. Read performs “The Rogaine Experiment” that relates his relationship with the beard.com website that suggests smearing minoxydil on the parts of the face where follicles are sparse to nonexistent. Read’s concise and altogether witty explication and exposition on the process gives a beard’s-eye view (ouch, such a fowl pun) of the struggle to achieve that most masculine of facial features.

The final act, “Lost/Found,” is an extremely amusing dance duet of a new trans-man’s discovery of a young straight boy’s diary in a used bookstore. As he pores over the diary to see how it can teach him to grow up as a boy, he is somewhat disappointed that his found idol is somewhat of a nerd. But he finds a strange mutuality in their shared adoration of that hunky Wham singer guy, George Michael. This pas de deux is choreographed with the geeky boy and the diary reader dancing at times together as one and other times apart - “different but the same” as the narrator notes - finding a kind of brotherhood as the imagined pages turn and the boy’s daily notations are revealed, contrasted, and compared.

It could really change the world, helping to rid it from prejudice, discrimination, and harassment, if Lost/Found found its way into the hearts of mankind – gay, straight, bi, and trans – to show that we all share a vulnerability and insecurity when it comes to identifying our masculinity. . . .

Transgender student elected king

By Caroline An

PASADENA - For Andrew Gomez, the month of November was one of firsts.

First, he broke the news to his mother that he was transitioning from a female to a male. Then the 24-year-old transgender student was elected Homecoming King at Pasadena City College.

Neither event came easily, but the second milestone nearly did not happen. PCC's homecoming committee initially ruled Gomez ineligible because of his pierced ear.

But after students complained, lodging charges of discrimination, the committee relented and reversed its decision. Gomez said his election earlier this month as Homecoming King surprised him, even though he initially ran hoping to become a source of inspiration for other gay, lesbian and transgender students.

"I wanted them to feel like they could do something like this, instead of having them feel, `I am not straight so I can't do this,"' Gomez said.

As child, Gomez was a tomboy, he said, always piling his long hair into a baseball cap.

"My mom would get really mad when I did that," he said.

Two years ago, he cut his hair short.

But Gomez is still in a transitional period. He hopes to have surgery, but acknowledges it will not happen for some time. There are still specialists to see, male hormones to be prescribed and a myriad of other changes before Gomez's transformation can be complete.

For now, he has taken simpler steps. Gomez binds himself, although "it is unnecessary, since I am nearly flat-chested," he said.

"He is a low-key person," said Sue Talbot, advisor to the United Rainbow Alliance, a PCC support and advocacy group for gays, lesbians and transgender people.

Of the latter group, Brian Kraemer, who heads Parents, Families and Friends of Lesbians and Gays, a support group not affiliated with PCC, said he has seen more transgender individuals and their families attending the group's meetings.

Gomez, a creative-writing major, said getting his family to accept his decision has been difficult. Last summer, he posted a message on his Facebook page declaring his intention to become a man. Yet it was only earlier this month that he actually revealed it to his mother. . . .

One Laptop Per Child

What if you were a child in some developing country. . .and you discovered you could connect with the Internet. . .and obtain information and support concerning issues important to you?

Consider donating money and your talents to this project.

. . . there are jobs, too.




One Laptop Per Child by David Pogue

Saturday, November 24, 2007

Transgender Day of Remembrance. . .can be everyday

Different strokes

November 24, 2007


She’s had the courage to acknowledge her alternate sexuality, accept it and finally declare it to one and all. Arup Chanda meets Rose, who was Ramesh Venkatesan a year ago, and is today all set to be the first transgender host of a television talk show in the country

“Last Christmas, I gave you my heart

But the very next day, you gave it away

This year, to save me from tears

I’ll give it to someone special.”

— George Michael


THIS Christmas, Rose will give her heart to someone special. Last Christmas, she had given it to a man, who gave it away the very next year.

Come December, as Ramesh Venkatesan, aka Rose, signs off a Tamil television talk show saying “Ippadikku Rose” (Yours Rose), he - who has now turned into a she - will be the first transgender to host a chat show in the country.

Rose will host the show in traditional finery
SITTING PRETTY: Rose will host the show in traditional finery

Her “someone special” will be the Tamil population not only in India but also abroad, particularly in North America, Europe and South-East Asia.

The Tamil talk show will initially focus on homosexuality and alternate sexuality, phobias and mania and later on socio-economic issues and politics.

With her long hair tied in a bun and wearing a printed capri and a striped top, 28-year-old Rose said, “I will be the first transgender anchor in India and after the announcement by Star Vijay, which will produce my programme, many are treating me like a star.”

At five feet eight inches and with an athletic figure, Rose can be the envy of any item girl in Bollywood. Wearing red nail polish and her eyes laced with a black eyeliner, as Rose rides into a petrol station, the attendants address her as “Madam” without realising she is a transgender.

“I was born a boy in a conservative Chettiar business family on May 6, 1979, with one sister and two brothers. From the age of five I would wear my sister’s clothes and play with her dolls. When I went to school, the boys would tease me because of my feminine behaviour but I remained quiet,” she recollects.

Made fun of and abused verbally by male friends in school, she withdrew into her shell and concentrated more on studies. This paid dividends and she ranked in the top 10 in Ramakrishna Mission School and went on to obtain a degree in mechanical engineering in Chennai.

“Deep inside I always knew I was different but I did not dare reveal my real identity. I could not disclose I felt like a woman because I was scared my parents would throw me out of home and I would miss out on my education. After graduating as an engineer, I wrote the GRE and scored a very high percentile, which enabled me to go to the US in 2001 on a scholarship.

“While I was doing my MS in bio-medical engineering at Louisiana Tech University, I gradually started dressing like a woman but strictly only in private. Contrary to popular belief, Americans are hypocrites and do not accept alternate sexuality so easily. There have been incidents of violence against people of the third gender, so I never dared to come out in the open in the US,” Rose narrates.

Her mother broke down and her father was scandalised and shocked when Rose informed them over telephone from the US of being a transgender. They immediately consulted a psychiatrist who said that being a “young boy in a different culture and environment, he was confused and it was just a passing phase”.

Rose is looking forward to her chat show, which will be launched next month
THE WORLD IS HER TARGET: Rose is looking forward to her chat show, which will be launched next month

After getting a master’s degree, she returned to India but did not take up job as a professional engineer. She instead worked as an American accent trainer with a call centre in Chennai

“I gave up the job after a year and went to London since I had a work visa. I knew that because of my new identity — with which I had decided to come out in open — I would not get a proper job in India. So I decided to be a web developer for foreign clients as I had also studied web designing. I managed to get some foreign clients while in London and now work as a web developer from home without my clients knowing about my alternate sexuality,” said Rose, explaining how she attained economic independence.

It wasn’t easy for Rose to take the final decision about her sexuality. “At times I treated this phenomenon as an illness. There are clearly defined roles for men and women in society. I cried and asked myself why God had done this to me. I wondered what was in store for me? But finally, I decided to take the plunge,” she said.

Early this year Rose won a transgender beauty contest in Chennai and after that, around six months ago, she approached Star Vijay with the idea of hosting a television talk show as a transgender. Star Vijay approved the proposal and decided to produce it. . . .

Transgender Politician Faces Fraud Lawsuit

November 23, 2007


RIVERDALE, Ga., Nov. 22 (AP) — Four years after she won a City Council seat, making her what is believed to be Georgia’s first transgender politician, Michelle Bruce is battling a lawsuit by an unsuccessful opponent who claims she misled voters by running as a woman.

Jason Bronis/Associated Press

Michelle Bruce, a transgender member of the Riverdale, Ga, City Council, is being sued by a woman she beat in an election.

Ms. Bruce, a tall woman with shoulder-length graying hair, said she has always identified herself as transgender.

“I’ve always been Michelle,” she said. “If someone has a problem with that, I can’t help them. It’s a personal issue.”

Ms. Bruce, 46, who runs an auto repossession business, began her political campaign in 2003. Running unopposed, she landed one of four Council seats and promised to attract more jobs and residents to Riverdale, a town of 12,000 about 12 miles south of Atlanta, lined with rundown strip malls and used car shops.

Three rivals ran against her in the Nov. 6 election. She captured 312 votes, not enough to avoid a Dec. 4 runoff against the second-place finisher, Wayne Hall, who earned 202 votes.

The third-place finisher, Georgia Fuller, who collected 171 votes, filed a lawsuit claiming election fraud.

The complaint, identifying Ms. Bruce as “Michael Bruce,” says she misled voters by identifying herself as female. It asks a judge to rule the November election results invalid and order another general election.

Ms. Fuller did not return calls seeking comment, but her lawyer said voters in Riverdale tended to favor female candidates, particularly if they were incumbents.

“It gives her an unfair advantage,” said the lawyer, Michael King. “It’s not just sour grapes. The people need to know whether the election is fair.”

The suit is unlikely to be settled before the Dec. 4 runoff, but Ms. Bruce sees it as an effort to alienate her from voters.

“They’re just distracting the voters from the issues,” she said. “Everybody in my district knows me. Everyone in Riverdale knows me.”

City Attorney Deana Johnson said Ms. Bruce’s identity was no mystery to her constituents.

“She has served as councilperson for four years as Michelle Bruce,” Ms. Johnson said. “It sounds like a case of politics.”

Ms. Bruce will not say if she had surgery to change her gender, saying it is a personal matter.

She deflected most questions about her personal life, instead addressing her hopes for Riverdale, a town she said was in search of an identity.

“People want a candidate that will listen to them, protect them, save them money and be there for them,” Ms. Bruce said. “And I always will be.” . . .

WHY THE TRANSGENDER COMMUNITY hates the Human Rights Campaign

24 November 2007

BY MONICA ROBERTS


Why does the transgender community hate the Human Rights Campaign (HRC)? It’s a question I get frequently asked in GLBT settings. Considering the recent GLBT family feud erupting over ENDA, it’s an appropriate one to ask as well.

Before I get started trying to shed light on it, I need to point out in the name of journalistic integrity that I was the Lobby Chair for the National Transgender Advocacy Coalition (NTAC) from 1999-2002.

The roots of the animosity start after Stonewall. In an effort to appear more ‘mainstream’ to the straight community, Jim Fouratt and friends bounced Sylvia Rivera and other transpeople out of New York’s GLF (Gay Liberation Front). Jim Fouratt’s anti-transgender comments culminating in a 2000 one at a Stonewall observance in which he called transpeople ‘misguided gay men who’d undergone surgical mutilations’ also added insult to the injury.

In a pattern that persists to the present day, The GLF had protections for transpeople removed from a proposed 1971 New York GLBT rights anti-discrimination bill under the pretext that it wouldn’t pass with such ‘extreme’ language.

Ironically the bill failed anyway and the New York City GLB-only rights bill wouldn’t pass until 1986. Transgender inclusion was fought at that tome by Tom Stoddard, who would later head Lambda Legal. Transgender people didn’t get added in the New York City bill until after Sylvia Rivera’s death in 2002.

In 1979 Janice Raymond poured more gasoline on the fire with her virulently anti-transgender book The Transsexual Empire.

hrc-1.jpg

Raymond also took it a step further in 1981 and penned a quasi-scientific looking report that was responsible for not only ending federal and state aid for indigent transpeople, but led to the insurance company prohibitions on gender reassignment related claims. Germaine Greer’s anti-transgender writing combined with Raymond’s led to involuntary outing and harassment of transwomen in lesbian community settings. It also sowed the seeds for the anti-transgender attitudes in the lesbian community that persisted through the late 90’s.

So what does this have to do with HRC since it didn’t get founded until 1980?

The problem is that the senior gay leadership is still influenced by the Fouratt-Raymond-Greer negative attitudes towards transpeople. That sentiment is concentrated disproportionately in California and the Northeast Corridor. The early gay and lesbian leadership also sprang up from those areas as well.

The transgender community around the late 80’s renewed its organizing efforts to fight for its rights. The early leadership was also concentrated in the Northeast Corridor and California as well and regarded the gay community as natural allies.

One thing they didn’t take into account was how deeply entrenched the anti-transgender attitudes and doctrines were amongst gay and lesbian leaders. Barney Frank (D-MA) is a prominent example of it. They still persisted in holding the view that transgender people were ‘crazy queens’ who would cost them their rights. Gay leaders were still trying to use the 70’s assimilationist strategy to counter the Religious Right campaign against gay civil rights fueled by fear of the HIV/AIDS pandemic.

In the 90’s the transgender leadership became more national in scope and more diverse by the end of the decade. In addition to the founding core leadership from California and the Northeast corridor, transleaders emerged in Arizona, Colorado, Texas, Louisiana, Florida, Georgia, Tennessee, North Carolina, Kentucky, Ohio, and Illinois. The emergence of leaders from what was derisively called ‘flyover country’ by the peeps from Cali and the Northeast Corridor changed the dynamics of the transgender rights movement. . . .

Mich. Governor Guards Transgender Rights

22 November 2007

LANSING, Mich. (AP) — Gov. Jennifer Granholm has issued an order that bars discrimination against state workers based on their "gender identity or expression," which protects the rights of those who behave, dress or identify as members of the opposite sex.

The order, which Granholm signed Wednesday, adds gender identity to a list of other prohibited grounds for discrimination that includes religion, race, color, national origin, age, sex, sexual orientation, height, weight, marital status, politics, disability or genetic information.

"State employment practices and procedures that encourage nondiscriminatory and equal employment practices provide desirable models for the private sector and local governments," says the resolution.

The Triangle Foundation, a Michigan-based group advocating rights for gay, lesbian, bisexual and transgender people, praised Granholm's action.

"Coming out as transgender is a career-ender. Transgendered people lose their jobs all the time," foundation policy director Sean Kosofsky told the Detroit Free Press.

James Muffet, president of Citizens for Traditional Values, expressed doubt about the seriousness of sexual identity discrimination in state government. He said Granholm more likely was making a political gesture toward gay rights groups that backed her 2006 re-election bid.

Show Girls Doc: An Interview with Jeremy Stanford and Maria Roman


by Lawrence Ferber


In Trantasia (Smocko Productions/TLA Releasing), a film-festival hit that arrived on DVD October 30, male-to-female transsexuals compete in the first-ever Worldís Most Beautiful Transsexual Pageant in Las Vegas.

While beauty isnít always on displayósome less-than-pretty drama arises among the girlsódirector Jeremy Stanford digs beneath the superficial by profiling the lives of six of the contestants, visiting their homes and frequently accepting families (maybe the 21st Century finally is arriving).

One of those contestants was Maria Roman, a Puerto Rico-born, Los Angeles-based transsexual activist who was doing HIV prevention outreach and working as the trans program manager at LAís BIENESTAR when she first heard about the pageant and documentary.

I spoke with Roman and Stanford by phone about making the doc, getting clocked on the strip, and who deserved to win.



Jeremy, was this always conceived as a documentary? I understand it was pitched as a possible reality series as well, correct?

Jeremy Stanford: We were open to options. We initially tried to get some backing, and had some interest in the time as a possible reality series. But at its heart, it was always a documentary.

Maria, you decided to join the pageant so that you might become part of the documentary, and represent and talk about trans issues. What did you think of the competition once arrived?

Maria Roman: The women there really meant business. They had been competing for years in pageants, and were there to win. I couldnít believe it. I was a novice. To be honest, I was never into the competition. My main goal was to be part of the doc. That was really what drove me through the project.



JS: Mariaís commitment to the community is impressive.



One bit of drama and conflict among the contestants results when the girls hit the Las Vegas strip, and it becomes a sort of Transsexuals Gone Wild.

JS: They were a little wild, and what surprised me maybe was the dissention [it caused] among the girls. Certainly, thatís an issue that exists in the community in generalóhow they want to be seen in public, and how they see themselves. It led to an interesting moment when Marie is upset, and wants to leave the pageant, because that was a bad representation of the community.



MR: What happened was, a girl grabbed one of my boobs, and I was horrified. It was a little interesting to have all these people looking at us. As it is, weíre all walking targets. I was afraid of what was going to happen. Essentially, we were exposing ourselves for everyone to look at us. Talk about carrying a flag proud!



When did the onlookers on the strip realize there was something special about theses ladies?

JS: I think the word spread rather quickly. Itís called "getting clocked," what these girls call it when they get called out. Some got clocked sooner than others.


Was there even more offscreen drama? Was it like 1968ís The Queen?

JS: We would have loved to have a little more drama! There was some stuff that went on. The great thing about the Maria moment was, we actually take the moment where she walks away from the group, and get her reaction in an interview. But in general, what amazed us as filmmakers, and the girls, was a supportive sense of sisterhood that pervaded the pageant. Certainly, they were professional, but they realized this was a moment for them as a community, so that sense of sisterhoodóthere were no catfights or wig pulling. It was more about sharing this moment, and enjoying the recognition for them and their community.


Professional Las Vegas showgirl Jahna Steele, who was outed as trans in the early í90s on TVís A Current Affair, and subsequently fired from the Riviera Casinoís Crazy Girls Revue, serves as a sort of mentor to the contestants. What was your impression of her, Maria?

MR: I think sheís a great human being. Sheís definitely in touch with herself, and loving to the rest of the community. She treated us beautifully, and many of us have to look at her as a pioneer. I consider her someone to look up to who succeeded in an age when everything was tabooóand she survived that huge scandal.


What are the biggest issues for transsexual women today?

MR: Being able to go on with daily things like get a job, pay rent, and have a stable home. For many of us, the moment we turn trans, we face discrimination in the workplace and housing. None of us as children say, ëI want to be hustling to make 10 dollars or a hundred dollars.í Many doors are shut in our face. I was victim of a hate crime last March. You can Google it. I was in a show in Miami, and I was drugged by a group of men, and I was arrested for disturbing the peace.


What did you learn about transsexuals and trans issues while making the documentary, Jeremy?

JS: The one preconception I had going to Las Vegas was the stereotypical story of the little girl trapped in the little boyís body. But they all had such different reasons for doing what they do. For [contestant] Tiara, it was a way to escape the projects, a survival mechanism. As she says, thereís always a way out, and this was her way out. She had a very rough life and childhood, seeing someone gunned down in her apartment building. And for some girls like her, who are young, effeminate gay boys, becoming a female impersonator and transsexual was a way to basically turn a liability into a positive. It was empowering. Whereas she might have always been ridiculed [as a boy], when she appeared as a woman at the club, that was a huge asset, and she received all this praise. Each had such different stories. . . .